New customers only. He held many exhibitions, and lived and painted in Australia as well as Italy, England, Fiji and the United States. Get the best price for your artwork or collection. cost) every 4 weeks unless cancelled as per full Terms and Conditions. See www.theaustralian.com.au/subscriptiontermsfor full details. Brett Whiteley Lavender Bay in the Rain, 1987 4 colour screen print 39 3/5 29 3/10 in | 100.5 74.5 cm Edition 45/75 Part of a limited edition set Contact for price Contact Gallery Nanda\Hobbs Sydney Get notifications for similar works Create Alert Want to sell a work by this artist? This Wikipedia article was originally based on Brett Whiteley House and Visual Curtilage, entry number 1949 in the New South Wales State Heritage Register published by the State of New South Wales (Department of Planning and Environment) 2020 under CC-BY 4.0 licence, accessed on 18 February 2020. [5] Often the foreground to many of his major works included the interiors of his residence at 1 Walker Street. Prices after the first 12 months may be varied as per full Terms and Conditions. His farewell to abstraction, Summer at Sigean, was a record of his honeymoon in France. 37 x 55 cm : Study for Still Life with Bonsai . His wife Wendy appears as "Delish". Not in conjunction with any other offer. Their only child, daughter Arkie Whiteley, was born in London in 1964. We were gypsies. 95.5 X 94.0 CM. Australian Galleries, Melbourne label attached verso (no.9451); Subscribe to one of our plans to get the best price over 12 months. A large Lavender Bay picture by Brett Whiteley broke the auction record for an Australian painting on Thursday when it sold for $6,136,000 and knocked Ned Kelly off his horse. AU$68.75 [1][4][10], Whiteley's Lavender Bay phase constituted a substantial and highly significant part of his artistic career and this is well attested by both the prolific output and the successive years of critical acclaim that his works of this period attracted - not least the impressive list of major prizes won during the 1970s. [1] He held many exhibitions, and lived and painted in Australia as well as Italy, England, Fiji and the United States. At auction, a number of Picassos paintings have sold for more than $100 million. The interior contents and the external environs of the house at 1 Walker Street is of state significance for research potential.[1]. the groups of three Washingtonia robusta palms: examples include "Lavender Bay in the rain" 1981, "Sydney Harbour by night" 1981, "Lavender Bay at dusk" 1984, "Big orange" 1974 for example. Their home became a "scene" well-managed by Wendy. Instead of the bush or the desert, Sydney's Lavender Bay was Brett's ground zero. Whiteley was awarded two Archibald Prizes, three Wynne Prizes and two Sir John Sulman Prizes, including all three prizes in 1978-a feat that remains unique in Australian art history. This article is accompanied by a . This name may originate from the presence of the convict prison hulk which was once moored in the Bay to provide accommodation for convicts. Inspired by African and Iberian art, he also contributed to the rise of Surrealism and Expressionism. Ms Upton said the iconic home, its setting and views are of state heritage significance for their historic association with internationally acclaimed Australian artist Brett Whiteley AO. Log In Sign up. . This rare casting is from the Bird Sculpture series from 1983 to 1988. Brett Whiteley was an Australian painter who was deeply influenced by Vincent van Gogh and post-war British painters such as Francis Bacon.He lived amidst the denizens of the Chelsea Hotel during a stay in New York during the late 1960s, increasing the scale and emotional intensity of his paintings while gathering inspiration from the fast pace of urban life. Canary Island palms: "Clark Gardens" 1978, "The turquoise prince" 1979, "The split second summer began" 1979, for example. A valid active email address and Australian mobile phone number are required for account set up. 1974 Modifications by Brett and Wendy Whiteley include: Tower and attic level, internal walls removed and planning opened up; enclosed verandas re-opened, enlargement and enclosure of the southern verandas and creation of studio space, new windows, floor boards and entries, 1978 Dressing room and bathroom on the first floor adjacent to the kitchen, 1992 Wendy Whiteley commenced restoration of the adjoining RailCorp land into a garden, 1999 Ground floor studio made more accessible, reorganisation of the laundry and enlargement of the kitchen. But in December 2007, when Andrew Pridham, chairman of the Sydney Swans, purchased what he believed to be a large Brett Whiteley, titled Blue Lavender Bay, it started a chain of events that culminated in the Victorian Supreme Court this month. The setting is intact as it was when Brett Whiteley created his notable Lavender Bay works though the Moreton Bay fig tree at the front has now become a large tree framing views of the harbour from the house and Wendy's garden now obscures most views to the railway siding. View and compare similar lots prices. At the films launch in Sydney this month, producer Sue Clothier said the question occurred to her: What if the story of Brett is the story of Wendy? Milson provided fresh water and ballast for passing ships as well as grazing cattle and producing milk. I love the stoniness and creaminess, that wonderful soiled magnolia feeling. A valid active email address and Australian mobile phone number are required for account set up. The house is separated from the harbour by railway sidings and a brick viaduct, parkland, foreshore reserve and a garden created by Wendy Whiteley on unused railway land from 1992. (Whiteley 1979: 1) Whiteley also made images of the beach, such as his yellowish painting and collage work The beach II, which he painted on a brief visit to Australia before his return to London and his winning of a fellowship to America. In 1964, while in London, Whiteley became fascinated by the murderer John Christie, who had committed murders in the area near where Whiteley was staying in Ladbroke Grove. He held many exhibitions, and lived and painted in Australia as well as Italy, England, Fiji and the United States. As an urban, residential area of jacarandas and sapphire-blue water, it offered an energised vision of coastal . "[5][1], Brett Whiteley was born in Sydney in 1939 and grew up at Longueville a harbour-side suburb in North Sydney. 81; Private collection, Sydney. Brett Whiteley Lavender Bay Art Prints 6 Results Buy any 2 and get 15% off. Copyright 2005 2015 Etching House All works are copyright the respective artist, We Sell, Buy, trade and handle consignments, call rolf on, WORKS ILLUSTRATED ON THIS WEBSITE ARE FOR SALE SUBJECT TO AVAILABILITY -, All works are copyright the respective artist. Every purchase supports the Art Gallery of New South Wales, Open daily Brett Whiteley's house and visual curtilage at 1 Walker Street (house and studio) and its setting within parklands adjacent to Sydney Harbour is of state heritage significance for the outstanding body of work it inspired in one of Australia's finest artists during several decades of the mid-20th century. Over the decades Wendy Whiteley rehabilitated a patch of landfill-shrouded wasteland, owned by the New South Wales government but open to all, into a small harbourside paradise. In 1962 he won second prize in the Biennale de Paris (International Biennale for Young Artists) and had his first solo exhibition. Brett Whiteley House is a heritage-listed arts and crafts studio and residence in Lavender Bay, North Sydney Council, New South Wales, Australia. The Whiteleys bought the house in 1974 and began converting it back into a single dwelling, knocking down walls to open up the living space, installing arches and eventually adding a distinctive tower. Rather than transposing European ways of capturing land and light, he found a new visual language for the Australian landscape. Lavender Bay was run down, a dead end, but to us it seemed magical. Men are geniuses. The ironic words of Swedish Film Institute CEO Anna Serner who visited Sydney last fortnight for. Brett Whiteley Australia, England 07 Apr 1939 - 15 Jun 1992 Artist profile Details Other Title Sydney by night [title used at acquisition] Date 1975 Media category Painting Materials used oil on canvas Dimensions 203.5 x 364.5 cm stretcher; 210.9 x 372.2 x 6.3 cm frame Signature & date His work became highly desired by collectors, especially his large-scale, brilliantly-coloured interiors and landscapes, including Big Orange (sunset), which were strongly influenced by French artist Henri Matisse. Whiteley was fascinated with both eastern philosophies and painting techniques during this period of his oeuvre. Grace Cossington Smith and Margaret Olley are halfway there, perhaps but what of the current-day stars? [5] In the words of Brett Whiteley: he expresses the importance of Lavender Bay within his life's body of works: "two-thirds of Braque's work is table tops, there's Morandi's bottles, Lloyd Rees's hills My repeating theme - a subject I will always go back to until I die - Lavender Bay" (from McGrath, 1992 quoted in Britton, 2016). We acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture. Brett Whiteley (1939-1992) Lavender Bay In The Rain 1987 screenprint 43/75 101 x 74cm. Brett Whiteley was born in 1939 and studied at the Julian Ashton School in 1957-59. After leaving home, and living in an old stables with Jan Allen and others in Surry Hills, Kingston bought the Lavender Bay house next door to his friends Brett and Wendy Whiteley. Each payment, once made, is non-refundable, subject to law. He was an officer in charge of the ship called "Phoenix" that housed convicts moored in this bay. Wendy Whiteley on art, gentrification and Brett: 'I felt a bit Whiteleyed-out', New survey paints grim picture of gender balance in Australian visual arts, Original reporting and incisive analysis, direct from the Guardian every morning. Home Delivery not available in all areas. The house and its environs are a rare representation of Brett Whiteley's life and work. He won the Wynne Prize in 1984 for "The South Coast after rain". This work has a wonderful provenance having been in the collection of Whiteleys daughter Arkie. [1][7], A well-publicised drug charge in Fiji saw the Whiteleys' permanent return to Australia. See opening hours At the time of print Olsen and Coburn were board members of the Art Gallery of NSW. It has primarily black on one side and has an image of his wife Wendy in a bathtub, seen from behind. Henris Armchair, from the Lavender Bay series, surpasses previous record of $5.4m for Sidney Nolans First-class Marksman from his Ned Kelly series. Tracey Moffatt this week represents Australian at the Venice Biennale with a major exhibition an honour bestowed upon Fiona Hall two years prior. Jenna Gribbon, April studio, parting glance, 2021. Sometimes the Harbour Bridge appears, or the Opera House or there are glimpses of built environment across Milson's Point or, rarely even Harry Seidler's Blues Point tower.
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