francis bacon interview

I thought about death and since then, I think about death every day. And I have used pornographic images as well. "I had no lights. Contemplation allows me to imagine my version of the truth and the image that I have of this truth leads me to discover other ideas, and so on … My work becomes a chain of ideas created by various images that I look at and that I have often registered with contradictory subjects. Jahrhunderts mit einer Anthologie zu würdigen. And it’s all for sale―how unbelievably surrealistic! It's the same with books or films that I see. Contemplation allows me to imagine my version of the truth and the image that I have of this truth leads me to discover other ideas, and so on ... My work becomes a chain of ideas created by various images that I look at and that I have often registered with contradictory subjects. We have even created bombs capable of blowing up the planet a thousand times over. The only things that interest me are people, their folly, their ways, their anguish, this unbelievable, purely accidental intelligence which has shattered the planet, and which maybe, one day, will destroy it. That is vanity, the driving force of artists. Usually he hated to pose. The fact that I was asthmatic prevented me from going to school; I spent all my time with family and the priest who gave me my schooling. As of November 2017, this website now contains reference images and information on all 584 numbered works published in Francis Bacon: Catalogue Raisonné, 2016, including the exhibition history of each painting.The paintings can be viewed by decade or freely searched. We always think we are making the painting that will revolutionise all painting, and that's why we keep going. There weren't porno magazines and films like there are now. And while Giacobetti worked, they talked. 0 comments. Picasso was a sponge, he made use of everything. Every item in the studio has a database entry. This beautiful book is comprised of five essays, illustrated in colour throughout by Francis Bacon’s works. Are you sure you want to mark this comment as inappropriate? It's very real, it's very virile. The interview was recorded by the BBC in October 1962. When you look at an image that symbolises the event, you can browse through the snapshot of it and experience it in a much stronger way, and embrace it with more intensity. And pornography helps. My AS art video of Francis Bacon talking about gambling and painting. DS: Have you ever had any desire at all to do an abstract painting? Francis Bacon was an Irish-born British figurative painter known for his bold, grotesque, emotionally charged, raw imagery. 'Books: Interviews with Francis Bacon 1962-1979' 'Books: Interviews with Francis Bacon' 'Bring Bacon home: The art world continues to neglect our native genius' 'British stars and Scythian gold' 'Briton Speaks About Pain and Painting' 'Brushes with the Bottle' 'Brushes with the soldiery of the canvas' 'Buyers stampede for 'bleak' Bacons' All taped plus has lots and lots of photos , all b&W. ), Paul Graham – “Photography is Easy, Photography is Difficult” (2009), Chris Killip: The Station and a Note of Gratitude, Photobooks of the Year 2020/Welcome to the Castle, Andy Sewell Interview w/ Zak Dimitrov Known and Strange Things Pass, Koji Kitagawa: Mapping the Technical in Dreams, Byberry Insane Asylum – A House of Horrors in 1940’s Philadelphia, Isabel Wenzel Counting Till Ten Precarious Rituals, Ed van der Elsken – “Love on the Left Bank” (1954), The Last Francis Bacon Interview – On Violence, Meat and Photography. It's like cooking. 15,80 … And how he is intrigued by both. Interview with David Sylvester – Francis Bacon. Giacobetti was inspired by Bacon's paintings, and many of the portraits echo familiar motifs - meat on a hook, a single lightbulb - and colours from the artist's palette. Toen in meer dan 25 jaar het leven en werk van William Shakespeare en Francis Bacon heb bestudeerd en na mijn contact met de Internationale School van het Gouden Rozenkruis de rozenkruisersmanifesten las, ging ik hiertussen allerlei verbanden zien. The most insightful comments on all subjects will be published daily in dedicated articles. Extracts of the first interview for BBC radio were included in their exhibition catalogue Francis Bacon: Recent Work (1963) and the second Bacon interview by Sylvester was published for the first time in the exhibition catalogue Francis Bacon: Recent Paintings (1967).27 This catalogue also includes film stills from Gill’s documentary in which Sylvester interviews Bacon. 137, June 2003, pp. Erfahren Sie mehr über Author Central . Me, I'm like an albatross: I take in thousands of images like fish, then I spit them out on the canvas. There are reproductions of my paintings all around my kitchen but I no longer see them. FRANICS BACON: My painting is not violent; it’s life that is violent. J’attends ce que j’appelle « l’accident » : la tache à partir de laquelle va partir le tableau. FB Celebrity bullshit! Bacon and the Mind sheds light on Francis Bacon’s art by exploring his motivations, and in so doing opens up new ways of understanding his paintings through three pillars; art, neuroscience and psychology.. I look for the suggestion of an image in comparison to another. I am not a pessimist. J’attends ce que j’appelle « l’accident » : la tache à partir de laquelle va partir le tableau. There weren’t porno magazines and films like there are now. Gebundene Ausgabe. Taschenbuch. It's interesting but too graphic, too plastic. It's instinct, and it's my instinct to paint it. An essential and entertaining series of interviews with francis bacon by david Sylvester from 1962 to 1986, 9 interviews. Previous Image Next Image . He didn't love me and I didn't love him either. I'm a pain. Want an ad-free experience?Subscribe to Independent Premium. The first time I did a recording with Francis Bacon was in [BBC] Broadcasting House.That was in the 1980s, for a radio interview. But I have always been interested in pornography. According to Giacobetti, "Bacon enjoyed the process very much. Francis Bacon, Interviews with David Sylvester (1966,1971-73) DAVID SYLVESTER: It’s interesting that the photographic image you’ve worked from most of all isn’t a scientific or a journalistic one but a very deliberate and famous work of art- the still of the screaming nanny from Potemkin. FB I believe in being selfish. FB I have always been very interested in photography. At the time, it interested me. Man's universe is the opposite of freedom, and the older we get, the more this becomes true. I felt like I wasn't normal. FG Many think that you stand with Picasso as the most important painter of this century. I am not a pessimist. The only things that interest me are people, their folly, their ways, their anguish, this unbelievable, purely accidental intelligence which has shattered the planet, and which maybe, one day, will destroy it. Interviews with Francis Bacon David Sylvester. I enjoy looking at images since my obsession is painting in a representational manner, so I need to see forms and representational spaces. It’s a work of unbelievable precision. People have always believed that I painted movement directly from photos, but that's completely wrong. Perhaps the scream is the most direct symbol of the human condition. Francis Bacon was a titanic figure in 20th Century Art. I call it my imagination material. I’ve looked at photos much more than paintings. 137, June 2003, pp. Interview du peintre Francis BACON à propos de son art (filmé le 14 janvier 1984). Text @ the Estate of Francis Giacobetti. ☛ “Francis Bacon: I painted to be loved” interview by Francis Giacobetti conducted on February 1992, published in The Art Newspaper, no. ☛ “Francis Bacon: I painted to be loved” interview by Francis Giacobetti conducted on February 1992, published in The Art Newspaper, no. Want to bookmark your favourite articles and stories to read or reference later? It was 11 years before Giacobetti was finally able to realise the work and produce the prints, which are currently being shown for the first time at the Marlborough Gallery in London. I don’t think anyone has ever really understood that. 9,99 € Nur noch 4 auf Lager (mehr ist unterwegs). Entretien avec Francis Bacon Marguerite Duras - Je ne dessine pas. Synopsis A reissue of the extraordinarily revealing interviews with Francis Bacon conducted by Sylvester over a period of 25 years. But that's not my thing. Show more Artwork page for ‘Study for a Portrait’, Francis Bacon, 1952 Francis Bacon painted directly onto the raw, unprimed side of the canvas and here emphasised the texture further by rubbing sand into the paint. They met 11 times over the next few months, for lunch or dinner, or for the extensive portrait sessions which took place in suites in two London hotels - 11 Cadogan Gardens and Browns - and a rented studio. 'Books: Interviews with Francis Bacon 1962-1979' 'Books: Interviews with Francis Bacon' 'Bring Bacon home: The art world continues to neglect our native genius' 'British stars and Scythian gold' 'Briton Speaks About Pain and Painting' 'Brushes with the Bottle' 'Brushes with the soldiery of the canvas' 'Buyers stampede for 'bleak' Bacons' I only ever had one view: that of emerging from it. Passion lasts and passion and freedom is seductive. He has also been hailed as the greatest British painter since Turner. If I paint red meat as I paint bodies it is just because I find it very beautiful. For me, who doesn’t have any models, it’s an unbelievable source of inspiration. We have even created bombs capable of blowing up the planet a thousand times over. For a painter, moments of sexual fantasy can lead to paintings that are often very banal, and when the arousal fades, you realise that it hasn't done anything. We come into this world with a scream and we often also die with a scream. I am inclined to say that I got the wrong family. Taschenbuch. I hate myself. Now, recordings of Bacon have emerged that shed light on the estrangement. From the Back Cover This book with … My temperament is strangely optimistic. Dimensions: 6′ 5 7/8″ x 52″ (197.8 x 132.1 cm). In police inquiries, every witness has a different view of the event. When you look at an image that symbolises the event, you can browse through the snapshot of it and experience it in a much stronger way, and embrace it with more intensity. Besides, it's very often the opposite of natural movement. Francis Bacon: the last interview Francis Giacobetti. And there is always, in every one of us, the concept of being the best. Fame is of no importance but it is important because one needs to live and sell one's paintings. 4,7 von 5 Sternen 66. And he was so sharp. – Francis Bacon. Start your Independent Premium subscription today. When you paint men's bodies, is there a physical arousal? 19,95 € Francis Bacon - Ein Malerleben in Texten und Interviews Dino Heicker. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures. He lost his temper with f everyone, he didn't have any friends. Finden Sie alle Bücher, Informationen zum Autor und mehr. You mix the vegetables, you know the taste of each thing individually, but the blending with herbs and meat, the mixture of different molecules, produces another completely different taste. After him, we can no longer paint without thinking of him. And luck has had it that I haven't needed to compromise myself in any way. FB Yes, terribly so. Animals scream when they are frightened or in pain, so do children. One source for the figure here may be a film still from Soviet director Sergei Eisenstein’s Battleship Potemkin … Those that are in the studio help me to imagine details of other images. FRANCIS GIACOBETTI: Your painting is often described as violent… FRANICS BACON: My painting is not violent; it’s life that is violent. I don't think it suited me. It's his thoughts that enter the painting. I am a painter of the 20th century: during my childhood I lived through the revolutionary Irish movement, Sinn Fein, and the wars, Hiroshima, Hitler, the death camps, and daily violence that I’ve experienced all my life. [3] Seit der Mitte der 1960er Jahre beschäftigte er sich insbesondere mit Porträts von seinen Freunden und … Sexuality, human emotion, everyday life, personal humiliation (you only have to watch television)―violence is part of human nature. Nine interviews with Francis Bacon spanning over twenty years from 1962 to 1986 which give invaluable insight into the creative mind of one of the twentieth century’s greatest artists. It is the first in a brand new series of books, Francis Bacon Studies, … Everything is there, recorded, untalented, without staging, like a sequenced encyclopedia on the possibilities of human and animal movement. Interviews with Francis Bacon (Englisch) Taschenbuch – 29. There are reproductions of my paintings all around my kitchen but I no longer see them. Als Autodidakt begann er Ende der 1920er Jahre mit der Malerei, nachdem er zuvor als Innenausstatter gearbeitet hatte. Even within the most beautiful landscape, in trees, under the leaves the insects are eating each other; violence is part of life. Francis Bacon with Michael Peppiatt in Paris, 1975. 28-29. Je commence à faire toutes sortes de taches. He created a visual dictionary on movement, an animated dictionary. And a painter works with his human material, not with colours and paintbrushes. David Sylvester (Autor) 4,6 von 5 Sternen 23 Sternebewertungen. But I think they are merely fooling themselves. FB Since the beginning of time, we have had countless examples of human violence even in our very civilised century. Read our full mailing list consent terms here. I think it's often like that for artists. It's you who sells yourself: your talent, your instinct, your techniques. He was always looking for an excuse to get his servants to beat me. Each entry consists of an image and a factual account of an object. That gives me momentum but I don't copy photographs apart from a few Eadweard Muybridge characters that I have integrated into paintings such as L'Enfant paralytique or Les Lutteurs. Directed by Michael Blackwood Pairing his collection of figurative paintings with an astute conversation surrounding mortality and humanity, “Francis Bacon and the Brutality of Fact” offers personal insight into the mind of an artist. The existing Open Comments threads will continue to exist for those who do not subscribe to Independent Premium. And I have used pornographic images as well. Because they are more real than reality itself. William Eggleston: Who’s Afraid of Magenta, Yellow and Cyan? When we witness an event, we are often unable to explain the details. Nine interviews range from 1962 to 1986, Bacon's fifties through his seventies, in the form of interactive conversations with art historian David Sylvester (British, 1924-2001), ranging from Bacon's frustrated … Bacon seems to have warmed to Giacobetti's fluid, low-tech approach. FB: Since the beginning of time, we have had countless examples of human violence even in our very civilised century. I think it's a very beautiful animal but my childhood memories are quite negative and the horse brings back a distant anguish. But Picasso invented everything. Henrietta Moraes is perhaps the most successful, the one that has the best market I think. When you are on a high, the result of your work is rarely something of quality: too many things are exterior. People have always believed that I painted movement directly from photos, but that’s completely wrong. It's one of the aspects of human behaviour that most interests me. Entretien avec Francis Bacon Marguerite Duras - Je ne dessine pas. The images help me just as much to find ideas as to create them. That gives me momentum but I don’t copy photographs apart from a few Eadweard Muybridge characters that I have integrated into paintings such as L’Enfant paralytique or Les Lutteurs. By imagining, you transgress all taboos, anything is possible. When I paint, I no longer have an age, just the pleasure or difficulty in painting. FB I have always been very interested in photography. I call it my imagination material. I need to visualise things that lead me to other forms, that lead me to visualise forms that lead me to other forms or subjects, details, images that influence my nervous system and transform the basic idea. I didn't feel good about myself. Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born English figurative painter known for his raw, unsettling imagery. I have also asked a photographer friend to do men fighting but that didn't work. (I was once a chef in a restaurant.) At the time, I didn't know how to explain my feelings. In the Hugh Lane Gallery, on Parnell … (I was once a chef in a restaurant.) This video has none of that. Those that are in the studio help me to imagine details of other images. I think I was unhappy as a child. It's a work of unbelievable precision. Optimist, because I live from day to day as if I am never going to die. 28-29, FRANCIS GIACOBETTI: Your painting is often described as violent…. I have also asked a photographer friend to do men fighting but that didn’t work. In the book, a classic of its kind, Bacon considers the problems of realism and sheds new light on aspects of his life. David Sylvester: Interviews with Francis Bacon (1963, 1966, 1979), in: The Guardian, 13. Francis Bacon Recorded in 1965, Julian Jebb interviews Francis Bacon about his contemporaries in the art world, his working practices and his personal philosophies. T he British painter Francis Bacon (1909-1992) was a self-taught artist. He can't do otherwise. It's like drugs. “Why didn't you introduce me before?” said Bacon. But that doesn't stop me from looking at men even of my age, as if everything is still to play for, as if life could have a fresh start and often when I go out in the evenings, I flirt as if I was 50. Me, I’m like an albatross: I take in thousands of images like fish, then I spit them out on the canvas. [2] Berüchtigt für sein Leben als bon vivant und seine Spielsucht, gelang ihm 1944 jedoch der Durchbruch als Künstler mit dem Triptychon Drei Studien zu Figuren am Fuße einer Kreuzigung (Tate Britain, London). I've kept very few of them, if any. But it didn't work. Every art needs to use images, except for, I think, music. C’est dans le mythique club des Bains Douches, qui a agité les nuits parisiennes des années 1980, que Francis Bacon répond, en 1987, aux questions de Thierry Ardisson, producteur de l’émission « Bain de minuit », dont est extraite cette archive. 28-29 . Rozmowy z Francisem Baconem: brutalność faktu, 1997. And after all that they want me to paint bunches of pink flowers…But that’s not my thing. It's more primitive than crucifixions. Excerpts from Francis Bacon: I Painted to be Loved. Mais si on tient à l’accident, si on croit qu’on comprend l’accident, on va faire encore de The moment when he discovers that youth is not eternal. But I am lucid. Sind Sie ein Autor? He was introduced to Bacon, a famously reluctant photographic subject, by the artist's close friend, Michel Archimbaud. By imagining, you transgress all taboos, anything is possible. But I have always been interested in pornography. I invent what I paint. IN AUTUMN 1991 the Corsican photographer Francis Giacobetti began an extraordinary series of portraits of Francis Bacon. Perhaps if my childhood had been happier, I would have painted bouquets of flowers. Added to this was my shyness ... it was like an illness. 1985 / 58 min. They do not cry or scream except in situations of extreme pain. T he British painter Francis Bacon (1909-1992) was a self-taught artist. I think he hated me. Since its first publication, this book―with its subsequent revised and augmented editions―has been considered a classic of its kind.

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